Yesteryear Fiction

The Reward
By Lord Dunsany


One's spirit goes further in dreams than it does by day. Wandering once by night from a factory city I came to the edge of Hell.

The place was foul with cinders and cast-off things, and jagged, half-buried things with shapeless edges, and there was a huge angel with a hammer building in plaster and steel. I wondered what he did in that dreadful place. I hesitated, then asked him what he was building. "We are adding to Hell," he said, "to keep pace with the times." "Don't be too hard on them," I said, for I had just come out of a compromising age and a weakening country. The angel did not answer. "It won't be as bad as the old hell, will it?" I said. "Worse," said the angel.

"How can you reconcile it with your conscience as a Minister of Grace," I said, "to inflict such a punishment?" (They talked like this in the city whence I had come and I could not avoid the habit of it.)

"They have invented a new cheap yeast," said the angel.

I looked at the legend on the walls of the hell that the angel was building, the words were written in flame, every fifteen seconds they changed their color, "Yeasto, the great new yeast, it builds up body and brain, and something more."

"They shall look at it for ever," the angel said.

"But they drove a perfectly legitimate trade," I said, "the law allowed it."

The angel went on hammering into place the huge steel uprights.

"You are very revengeful," I said. "Do you never rest from doing this terrible work?"

"I rested one Christmas Day," the angel said, "and looked and saw little children dying of cancer. I shall go on now until the fires are lit."

"It is very hard to prove," I said, "that the yeast is as bad as you think."

"After all," I said, "they must live."

And the angel made no answer but went on building his hell.


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Edward John Moreton Drax Plunkett, 18th Baron of Dunsany (24 July 1878 – 25 October 1957) was an Anglo-Irish writer and dramatist, notable for his work, mostly in fantasy, published under the name Lord Dunsany. More than eighty books of his work were published, and his oeuvre includes many hundreds of published short stories, as well as successful plays, novels and essays.

The Food of Death
By Lord Dunsany


Death was sick. But they brought him bread that the modern bakers make, whitened with alum, and the tinned meats of Chicago, with a pinch of our modern substitute for salt. They carried him into the dining-room of a great hotel (in that close atmosphere Death breathed more freely), and there they gave him their cheap Indian tea. They brought him a bottle of wine that they called champagne. Death drank it up. They brought a newspaper and looked up the patent medicines; they gave him the foods that it recommended for invalids, and a little medicine as prescribed in the paper. They gave him some milk and borax, such as children drink in England.

Death arose ravening, strong, and strode again through the cities.


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Edward John Moreton Drax Plunkett, 18th Baron of Dunsany (24 July 1878 – 25 October 1957) was an Anglo-Irish writer and dramatist, notable for his work, mostly in fantasy, published under the name Lord Dunsany. More than eighty books of his work were published, and his oeuvre includes many hundreds of published short stories, as well as successful plays, novels and essays.

HOW THE ENEMY CAME TO THLUNRANA
By Lord Dunsany


It had been prophesied of old and foreseen from the ancient days that its enemy would come upon Thlunrana. And the date of its doom was known and the gate by which it would enter, yet none had prophesied of the enemy who he was save that he was of the gods though he dwelt with men. Meanwhile Thlunrana, that secret lamaserai, that chief cathedral of wizardry, was the terror of the valley in which it stood and of all lands round about it. So narrow and high were the windows and so strange when lighted at night that they seemed to regard men with the demoniac leer of something that had a secret in the dark. Who were the magicians and the deputy-magicians and the great arch-wizard of that furtive place nobody knew, for they went veiled and hooded and cloaked completely in black.

Though her doom was close upon her and the enemy of prophecy should come that very night through the open, southward door that was named the Gate of the Doom, yet that rocky edifice Thlunrana remained mysterious still, venerable, terrible, dark, and dreadfully crowned with her doom. It was not often that anyone dared wander near to Thlunrana by night when the moan of the magicians invoking we know not Whom rose faintly from inner chambers, scaring the drifting bats: but on the last night of all the man from the black-thatched cottage by the five pine-trees came, because he would see Thlunrana once again before the enemy that was divine, but that dwelt with men, should come against it and it should be no more. Up the dark valley he went like a bold man, but his fears were thick upon him; his bravery bore their weight but stooped a little beneath them. He went in at the southward gate that is named the Gate of the Doom. He came into a dark hall, and up a marble stairway passed to see the last of Thlunrana. At the top a curtain of black velvet hung and he passed into a chamber heavily hung with curtains, with a gloom in it that was blacker than anything they could account for. In a sombre chamber beyond, seen through a vacant archway, magicians with lighted tapers plied their wizardry and whispered incantations. All the rats in the place were passing away, going whimpering down the stairway. The man from the black-thatched cottage passed through that second chamber: the magicians did not look at him and did not cease to whisper. He passed from them through heavy curtains still of black velvet and came into a chamber of black marble where nothing stirred. Only one taper burned in the third chamber; there were no windows. On the smooth floor and under the smooth wall a silk pavilion stood with its curtains drawn close together: this was the holy of holies of that ominous place, its inner mystery. One on each side of it dark figures crouched, either of men or women or cloaked stone, or of beasts trained to be silent. When the awful stillness of the mystery was more than he could bear the man from the black-thatched cottage by the five pine-trees went up to the silk pavilion, and with a bold and nervous clutch of the hand drew one of the curtains aside, and saw the inner mystery, and laughed. And the prophecy was fulfilled, and Thlunrana was never more a terror to the valley, but the magicians passed away from their terrific halls and fled through the open fields wailing and beating their breasts, for laughter was the enemy that was doomed to come against Thlunrana through her southward gate (that was named the Gate of the Doom), and it is of the gods but dwells with man.


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Edward John Moreton Drax Plunkett, 18th Baron of Dunsany (24 July 1878 – 25 October 1957) was an Anglo-Irish writer and dramatist, notable for his work, mostly in fantasy, published under the name Lord Dunsany. More than eighty books of his work were published, and his oeuvre includes many hundreds of published short stories, as well as successful plays, novels and essays.

The Mist
By Lord Dunsany


The mist said unto the mist: "Let us go up into the Downs." And the mist came up weeping.

And the mist went into the high places and the hollows.

And clumps of trees in the distance stood ghostly in the haze.

But I went to a prophet, one who loved the Downs, and I said to him: "Why does the mist come up weeping into the Downs when it goes into the high places and the hollows?"

And he answered: "The mist is the company of a multitude of souls who never saw the Downs, and now are dead. Therefore they come up weeping into the Downs, who are dead and never saw them."


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Edward John Moreton Drax Plunkett, 18th Baron of Dunsany (24 July 1878 – 25 October 1957) was an Anglo-Irish writer and dramatist, notable for his work, mostly in fantasy, published under the name Lord Dunsany. More than eighty books of his work were published, and his oeuvre includes many hundreds of published short stories, as well as successful plays, novels and essays.

The Song Of The Blackbird
By Lord Dunsany


As the poet passed the thorn-tree the blackbird sang.

"How ever do you do it?" the poet said, for he knew bird language.

"It was like this," said the blackbird. "It really was the most extraordinary thing. I made that song last Spring, it came to me all of a sudden. There was the most beautiful she-blackbird that the world has ever seen. Her eyes were blacker than lakes are at night, her feathers were blacker than the night itself, and nothing was as yellow as her beak; she could fly much faster than the lightning. She was not an ordinary she-blackbird, there has never been any other like her at all. I did not dare go near her because she was so wonderful. One day last Spring when it got warm again—it had been cold, we ate berries, things were quite different then, but Spring came and it got warm—one day I was thinking how wonderful she was and it seemed so extraordinary to think that I should ever have seen her, the only really wonderful she-blackbird in the world, that I opened my beak to give a shout, and then this song came, and there had never been anything like it before, and luckily I remembered it, the very song that I sang just now. But what is so extraordinary, the most amazing occurence of that marvellous day, was that no sooner had I sung the song than that very bird, the most wonderful she-blackbird in the world, flew right up to me and sat quite close to me on the same tree. I never remember such wonderful times as those.

"Yes, the song came in a moment, and as I was saying…."

And an old wanderer walking with a stick came by and the blackbird flew away, and the poet told the old man the blackbird's wonderful story.

"That song new?" said the wanderer. "Not a bit of it. God made it years ago. All the blackbirds used to sing it when I was young. It was new then."


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Edward John Moreton Drax Plunkett, 18th Baron of Dunsany (24 July 1878 – 25 October 1957) was an Anglo-Irish writer and dramatist, notable for his work, mostly in fantasy, published under the name Lord Dunsany. More than eighty books of his work were published, and his oeuvre includes many hundreds of published short stories, as well as successful plays, novels and essays.

The Messengers
By Lord Dunsany


One wandering nigh Parnassus chasing hares heard the high Muses.

"Take us a message to the Golden Town."

Thus sang the Muses.

But the man said: "They do not call to me. Not to such as me speak the Muses."

And the Muses called him by name.

"Take us a message," they said, "to the Golden Town."

And the man was downcast for he would have chased hares.

And the Muses called again.

And when whether in valleys or on high crags of the hills he still heard the Muses he went at last to them and heard their message, though he would fain have left it to other men and chased the fleet hares still in happy valleys.

And they gave him a wreath of laurels carved out of emeralds as only the Muses can carve. "By this," they said, "they shall know that you come from the Muses."

And the man went from that place and dressed in scarlet silks as befitted one that came from the high Muses. And through the gateway of the Golden Town he ran and cried his message, and his cloak floated behind him. All silent sat the wise men and the aged, they of the Golden Town; cross-legged they sat before their houses reading from parchments a message of the Muses that they sent long before.

And the young man cried his message from the Muses.

And they rose up and said: "Thou art not from the Muses. Otherwise spake they." And they stoned him and he died.

And afterwards they carved his message upon gold; and read it in their temples on holy days.

When will the Muses rest? When are they weary? They sent another messenger to the Golden Town. And they gave him a wand of ivory to carry in his hand with all the beautiful stories of the world wondrously carved thereon. And only the Muses could have carved it. "By this," they said, "they shall know that you come from the Muses."

And he came through the gateway of the Golden Town with the message he had for its people. And they rose up at once in the Golden street, they rose from reading the message that they had carved upon gold. "The last who came," they said, "came with a wreath of laurels carved out of emeralds, as only the Muses can carve. You are not from the Muses." And even as they had stoned the last so also they stoned him. And afterwards they carved his message on gold and laid it up in their temples.

When will the Muses rest? When are they weary? Even yet once again they sent a messenger under the gateway into the Golden Town. And for all that he wore a garland of gold that the high Muses gave him, a garland of kingcups soft and yellow on his head, yet fashioned of pure gold and by whom but the Muses, yet did they stone him in the Golden Town. But they had the message, and what care the Muses?

And yet they will not rest, for some while since I heard them call to me.

"Go take our message," they said, "unto the Golden Town."

But I would not go. And they spake a second time. "Go take our message," they said.

And still I would not go, and they cried out a third time: "Go take our message."

And though they cried a third time I would not go. But morning and night they cried and through long evenings.

When will the Muses rest? When are they weary? And when they would not cease to call to me I went to them and I said: "The Golden Town is the Golden Town no longer. They have sold their pillars for brass and their temples for money, they have made coins out of their golden doors. It is become a dark town full of trouble, there is no ease in its streets, beauty has left it and the old songs are gone."

"Go take our message," they cried.

And I said to the high Muses: "You do not understand. You have no message for the Golden Town, the holy city no longer."

"Go take our message," they cried.

"What is your message?" I said to the high Muses.

And when I heard their message I made excuses, dreading to speak such things in the Golden Town; and again they bade me go.

And I said: "I will not go. None will believe me."

And still the Muses cry to me all night long.

They do not understand. How should they know?


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Edward John Moreton Drax Plunkett, 18th Baron of Dunsany (24 July 1878 – 25 October 1957) was an Anglo-Irish writer and dramatist, notable for his work, mostly in fantasy, published under the name Lord Dunsany. More than eighty books of his work were published, and his oeuvre includes many hundreds of published short stories, as well as successful plays, novels and essays.

Compromise
By Lord Dunsany


They built their gorgeous home, their city of glory, above the lair of the earthquake. They built it of marble and gold in the shining youth of the world. There they feasted and fought and called their city immortal, and danced and sang songs to the gods. None heeded the earthquake in all those joyous streets. And down in the deeps of the earth, on the black feet of the abyss, they that would conquer Man mumbled long in the darkness, mumbled and goaded the earthquake to try his strength with that city, to go forth blithely at night and to gnaw its pillars like bones. And down in those grimy deeps the earthquake answered them, and would not do their pleasure and would not stir from thence, for who knew who they were who danced all day where he rumbled, and what if the lords of that city that had no fear of his anger were haply even the gods!

And the centuries plodded by, on and on round the world, and one day they that had danced, they that had sung in that city, remembered the lair of the earthquake in the deeps down under their feet, and made plans one with another and sought to avert the danger, sought to appease the earthquake and turn his anger away.

They sent down singing girls, and priests with oats and wine, they sent down garlands and propitious berries, down by dark steps to the black depths of the earth, they sent peacocks newly slain, and boys with burning spices, and their thin white sacred cats with collars of pearls all newly drawn from sea, they sent huge diamonds down in coffers of teak, and ointment and strange oriental dyes, arrows and armor and the rings of their queen.

"Oho," said the earthquake in the coolth of the earth, "so they are not the gods."


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Edward John Moreton Drax Plunkett, 18th Baron of Dunsany (24 July 1878 – 25 October 1957) was an Anglo-Irish writer and dramatist, notable for his work, mostly in fantasy, published under the name Lord Dunsany. More than eighty books of his work were published, and his oeuvre includes many hundreds of published short stories, as well as successful plays, novels and essays.

The Tomb of Pan
By Lord Dunsany


"Seeing," they said, "that old-time Pan is dead, let us now make a tomb for him and a monument, that the dreadful worship of long ago may be remembered and avoided by all."

So said the people of the enlightened lands. And they built a white and mighty tomb of marble. Slowly it rose under the hands of the builders and longer every evening after sunset it gleamed with rays of the departed sun.

And many mourned for Pan while the builders built; many reviled him. Some called the builders to cease and to weep for Pan and others called them to leave no memorial at all of so infamous a god. But the builders built on steadily.

And one day all was finished, and the tomb stood there like a steep sea-cliff. And Pan was carved thereon with humbled head and the feet of angels pressed upon his neck. And when the tomb was finished the sun had already set, but the afterglow was rosy on the huge bulk of Pan.

And presently all the enlightened people came, and saw the tomb and remembered Pan who was dead, and all deplored him and his wicked age. But a few wept apart because of the death of Pan.

But at evening as he stole out of the forest, and slipped like a shadow softly along the hills, Pan saw the tomb and laughed.


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Edward John Moreton Drax Plunkett, 18th Baron of Dunsany (24 July 1878 – 25 October 1957) was an Anglo-Irish writer and dramatist, notable for his work, mostly in fantasy, published under the name Lord Dunsany. More than eighty books of his work were published, and his oeuvre includes many hundreds of published short stories, as well as successful plays, novels and essays.

Alone The Immortals
By Lord Dunsany


I heard it said that very far away from here, on the wrong side of the deserts of Cathay and in a country dedicate to winter, are all the years that are dead. And there a certain valley shuts them in and hides them, as rumor has it, from the world, but not from the sight of the moon nor from those that dream in his rays.

And I said: I will go from here by ways of dream and I will come to that valley and enter in and mourn there for the good years that are dead. And I said: I will take a wreath, a wreath of mourning, and lay it at their feet in token of my sorrow for their dooms.

And when I sought about among the flowers, among the flowers for my wreath of mourning, the lily looked too large and the laurel looked too solemn and I found nothing frail enough nor slender to serve as an offering to the years that were dead. And at last I made a slender wreath of daisies in the manner that I had seen them made in one of the years that is dead.

"This," said I, "is scarce less fragile or less frail than one of those delicate forgotten years." Then I took my wreath in my hand and went from here. And when I had come by paths of mystery to that romantic land, where the valley that rumour told of lies close to the mountainous moon, I searched among the grass for those poor slight years for whom I bought my sorrow and my wreath. And when I found there nothing in the grass I said: "Time has shattered them and swept them away and left not even any faint remains."

But looking upwards in the blaze of the moon I suddenly saw colossi sitting near, and towering up and blotting out the stars and filling the night with blackness; and at those idols' feet I saw praying and making obeisance kings and the days that are and all times and all cities and all nations and all their gods. Neither the smoke of incense nor of the sacrifice burning reached those colossal heads, they sat there not to be measured, not to be over-thrown, not to be worn away.

I said: "Who are those?"

One answered: "Alone the Immortals."

And I said sadly: "I came not to see dread gods, but I came to shed my tears and to offer flowers at the feet of certain little years that are dead and may not come again."

He answered me: "These are the years that are dead, alone the immortals; all years to be are Their children—They fashioned their smiles and their laughter; all earthly kings They have crowned, all gods They have created; all the events to be flow down from their feet like a river, the worlds are flying pebbles that They have already thrown, and Time and all his centuries behind him kneel there with bended crests in token of vassalage at Their potent feet."

And when I heard this I turned away with my wreath, and went back to my own land comforted.


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Edward John Moreton Drax Plunkett, 18th Baron of Dunsany (24 July 1878 – 25 October 1957) was an Anglo-Irish writer and dramatist, notable for his work, mostly in fantasy, published under the name Lord Dunsany. More than eighty books of his work were published, and his oeuvre includes many hundreds of published short stories, as well as successful plays, novels and essays.

The Storm
By Lord Dunsany


They saw a little ship that was far at sea and that went by the name of the Petite Espérance. And because of its uncouth rig and its lonely air and the look that it had of coming from strangers' lands they said: "It is neither a ship to greet nor desire, nor yet to succor when in the hands of the sea."

And the sea rose up as is the wont of the sea and the little ship from afar was in his hands, and frailer than ever seemed its feeble masts with their sails of fantastic cut and their alien flags. And the sea made a great and very triumphing voice, as the sea doth. And then there arose a wave that was very strong, even the ninth-born son of the hurricane and the tide, and hid the little ship and hid the whole of the far parts of the sea. Thereat said those who stood on the good dry land:

"'Twas but a little, worthless alien ship and it is sunk at sea, and it is good and right that the storm have spoil." And they turned and watched the course of the merchant-men, laden with silver and appeasing spice; year after year they cheered them into port and praised their goods and their familiar sails. And many years went by.

And at last with decks and bulwarks covered with cloth of gold; with age-old parrots that had known the troubadours, singing illustrious songs and preening their feathers of gold; with a hold full of emeralds and rubies; all silken with Indian loot; furling as it came in its way-worn alien sails, a galleon glided into port, shutting the sunlight from the merchantmen: and lo! it loomed the equal of the cliffs.

"Who are you?" they asked, "far-travelled wonderful ship?"

And they said: "The Petite Espérance."

"O," said the people on shore. "We thought you were sunk at sea."

"Sunk at sea?" sang the sailors. "We could not be sunk at sea—we had the gods on board."


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Edward John Moreton Drax Plunkett, 18th Baron of Dunsany (24 July 1878 – 25 October 1957) was an Anglo-Irish writer and dramatist, notable for his work, mostly in fantasy, published under the name Lord Dunsany. More than eighty books of his work were published, and his oeuvre includes many hundreds of published short stories, as well as successful plays, novels and essays.

The Dream Of King Karna-Vootra
By Lord Dunsany


King Karna-Vootra sitting on his throne commanding all things said: "I very clearly saw last night the queenly Vava-Nyria. Though partly she was hidden by great clouds that swept continually by her, rolling over and over, yet her face was unhidden and shone, being full of moonlight.

"I said to her:

"'Walk with me by the great pools in many-gardened, beautiful Istrakhan where the lilies float that give delectable dreams; or, drawing aside the curtain of hanging orchids, pass with me thence from the pools by a secret path through the else impassable jungle that fills the only way between the mountains that shut in Istrakhan. They shut it in and look on it with joy at morning and at evening when the pools are strange with light, till in their gladness sometimes there melts the deadly snow that kills upon lonely heights the mountaineer. They have valleys among them older than the wrinkles in the moon.

"'Come with me thence or linger with me there and either we shall come to romantic lands which the men of the caravans only speak of in song; or else we shall listlessly walk in a land so lovely that even the butterflies that float about it when they see their images flash in the sacred pools are terrified by their beauty, and each night we shall hear the myriad nightingales all in one chorus sing the stars to death. Do this and I will send heralds far from here with tidings of thy beauty; and they shall run and come to Séndara and men shall know it there who herd brown sheep; and from Séndara the rumour shall spread on, down either bank of the holy river of Zoth, till the people that make wattles in the plains shall hear of it and sing; but the heralds shall go northward along the hills until they come to Sooma. And in that golden city they shall tell the kings, that sit in their lofty alabaster house, of thy strange and sudden smiles. And often in distant markets shall thy story be told by merchants out from Sooma as they sit telling careless tales to lure men to their wares.

"'And the heralds passing thence shall come even to Ingra, to Ingra where they dance. And there they shall tell of thee, so that thy name long hence shall be sung in that joyous city. And there they shall borrow camels and pass over the sands and go by desert ways to distant Nirid to tell of thee to the lonely men in the mountain monasteries.

"'Come with me even now for it is Spring.'"

"And as I said this she faintly yet perceptibly shook her head. And it was only then I remembered my youth was gone, and she dead forty years."


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Edward John Moreton Drax Plunkett, 18th Baron of Dunsany (24 July 1878 – 25 October 1957) was an Anglo-Irish writer and dramatist, notable for his work, mostly in fantasy, published under the name Lord Dunsany. More than eighty books of his work were published, and his oeuvre includes many hundreds of published short stories, as well as successful plays, novels and essays.

Roses
By Lord Dunsany


I know a roadside where the wild rose blooms with a strange abundance. There is a beauty in the blossoms too of an almost exotic kind, a taint of deeper pink that shocks the Puritan flowers. Two hundred generations ago (generations, I mean, of roses) this was a village street; there was a floral decadence when they left their simple life and the roses came from the wilderness to clamber round houses of men.

Of all the memories of that little village, of all the cottages that stood there, of all the men and women whose homes they were, nothing remains but a more beautiful blush on the faces of the roses.

I hope that when London is clean passed away and the defeated fields come back again, like an exiled people returning after a war, they may find some beautiful thing to remind them of it all; because we have loved a little that swart old city.


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Edward John Moreton Drax Plunkett, 18th Baron of Dunsany (24 July 1878 – 25 October 1957) was an Anglo-Irish writer and dramatist, notable for his work, mostly in fantasy, published under the name Lord Dunsany. More than eighty books of his work were published, and his oeuvre includes many hundreds of published short stories, as well as successful plays, novels and essays.

The Giant Poppy
By Lord Dunsany


I dreamt that I went back to the hills I knew, whence on a clear day you can see the walls of Ilion and the plains of Roncesvalles. There used to be woods along the tops of those hills with clearings in them where the moonlight fell, and there when no one watched the fairies danced.

But there were no woods when I went back, no fairies nor distant glimpse of Ilion or plains of Roncesvalles, only one giant poppy waved in the wind, and as it waved it hummed "Remember not." And by its oak-like stem a poet sat, dressed like a shepherd and playing an ancient tune softly upon a pipe. I asked him if the fairies had passed that way or anything olden.

He said: "The poppy has grown apace and is killing gods and fairies. Its fumes are suffocating the world, and its roots drain it of its beautiful strength." And I asked him why he sat on the hills I knew, playing an olden tune.

And he answered: "Because the tune is bad for the poppy, which would otherwise grow more swiftly; and because if the brotherhood of which I am one were to cease to pipe on the hills men would stray over the world and be lost or come to terrible ends. We think we have saved Agamemnon."

Then he fell to piping again that olden tune, while the wind among the poppy's sleepy petals murmured "Remember not. Remember not."


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Edward John Moreton Drax Plunkett, 18th Baron of Dunsany (24 July 1878 – 25 October 1957) was an Anglo-Irish writer and dramatist, notable for his work, mostly in fantasy, published under the name Lord Dunsany. More than eighty books of his work were published, and his oeuvre includes many hundreds of published short stories, as well as successful plays, novels and essays.

The Songless Country
By Lord Dunsany


The poet came unto a great country in which there were no songs. And he lamented gently for the nation that had not any little foolish songs to sing to itself at evening.

And at last he said: "I will make for them myself some little foolish songs so that they may be merry in the lanes and happy by the fireside." And for some days he made for them aimless songs such as maidens sing on the hills in the older happier countries.

Then he went to some of that nation as they sat weary with the work of the day and said to them: "I have made you some aimless songs out of the small unreasonable legends, that are somewhat akin to the wind in the vales of my childhood; and you may care to sing them in your disconsolate evenings."

And they said to him:

"If you think we have time for that sort of nonsense nowadays you cannot know much of the progress of modern commerce."

And the poet wept for he said: "Alas! They are damned."


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Edward John Moreton Drax Plunkett, 18th Baron of Dunsany (24 July 1878 – 25 October 1957) was an Anglo-Irish writer and dramatist, notable for his work, mostly in fantasy, published under the name Lord Dunsany. More than eighty books of his work were published, and his oeuvre includes many hundreds of published short stories, as well as successful plays, novels and essays.

The Unpasturable Fields
By Lord Dunsany


Thus spake the mountains: "Behold us, even us; the old ones, the grey ones, that wear the feet of Time. Time on our rocks shall break his staff and stumble: and still we shall sit majestic, even as now, hearing the sound of the sea, our old coeval sister, who nurses the bones of her children and weeps for the things she has done.

"Far, far, we stand above all things; befriending the little cities until they grow old and leave us to go among the myths.

"We are the most imperishable mountains."

And softly the clouds foregathered from far places, and crag on crag and mountain upon mountain in the likeness of Caucasus upon Himalaya came riding past the sunlight upon the backs of storms and looked down idly from their golden heights upon the crests of the mountains.

"Ye pass away," said the mountains.

And the clouds answered, as I dreamed or fancied,

"We pass away, indeed we pass away, but upon our unpasturable fields Pegasus prances. Here Pegasus gallops and browses upon song which the larks bring to him every morning from far terrestrial fields. His hoof-beats ring upon our slopes at sunrise as though our fields were of silver. And breathing the dawn-wind in dilated nostrils, with head tossed upwards and with quivering wings, he stands and stares from our tremendous heights, and snorts and sees far-future wonderful wars rage in the creases and the folds of the togas that cover the knees of the gods."


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Edward John Moreton Drax Plunkett, 18th Baron of Dunsany (24 July 1878 – 25 October 1957) was an Anglo-Irish writer and dramatist, notable for his work, mostly in fantasy, published under the name Lord Dunsany. More than eighty books of his work were published, and his oeuvre includes many hundreds of published short stories, as well as successful plays, novels and essays.

The Little City
By Lord Dunsany


I was in the pre-destined 11.8 from Goraghwood to Drogheda, when I suddenly saw the city. It was a little city in a valley, and only seemed to have a little smoke, and the sun caught the smoke and turned it golden, so that it looked like an old Italian picture where angels walk in the foreground and the rest is a blaze of gold. And beyond, as one could tell by the lie of land although one could not see through the golden smoke, I knew that there lay the paths of the roving ships.

All round there lay a patchwork of small fields all over the slopes of the hills, and the snow had come upon them tentatively, but already the birds of the waste had moved to the sheltered places for every omen boded more to fall. Far away some little hills blazed like an aureate bulwark broken off by age and fallen from the earthward rampart of Paradise. And aloof and dark the mountains stared unconcernedly seawards.

And when I saw those grey and watchful mountains sitting where they sat while the cities of the civilization of Araby and Asia arose like crocuses, and like crocuses fell, I wondered for how long there would be smoke in the valley and little fields on the hills.


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Edward John Moreton Drax Plunkett, 18th Baron of Dunsany (24 July 1878 – 25 October 1957) was an Anglo-Irish writer and dramatist, notable for his work, mostly in fantasy, published under the name Lord Dunsany. More than eighty books of his work were published, and his oeuvre includes many hundreds of published short stories, as well as successful plays, novels and essays.

The Prayer Of The Flowers
By Lord Dunsany


It was the voice of the flowers on the West wind, the lovable, the old, the lazy West wind, blowing ceaselessly, blowing sleepily, going Greecewards.

"The woods have gone away, they have fallen and left us; men love us no longer, we are lonely by moonlight. Great engines rush over the beautiful fields, their ways lie hard and terrible up and down the land.

"The cancrous cities spread over the grass, they clatter in their lairs continually, they glitter about us blemishing the night.

"The woods are gone, O Pan, the woods, the woods. And thou art far, O Pan, and far away."

I was standing by night between two railway embankments on the edge of a Midland city. On one of them I saw the trains go by, once in every two minutes, and on the other, the trains went by twice in every five.

Quite close were the glaring factories, and the sky above them wore the fearful look that it wears in dreams of fever.

The flowers were right in the stride of that advancing city, and thence I heard them sending up their cry. And then I heard, beating musically up wind, the voice of Pan reproving them from Arcady—

"Be patient a little, these things are not for long."


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Edward John Moreton Drax Plunkett, 18th Baron of Dunsany (24 July 1878 – 25 October 1957) was an Anglo-Irish writer and dramatist, notable for his work, mostly in fantasy, published under the name Lord Dunsany. More than eighty books of his work were published, and his oeuvre includes many hundreds of published short stories, as well as successful plays, novels and essays.

Death And Odysseus
By Lord Dunsany


In the Olympian courts Love laughed at Death, because he was unsightly, and because She couldn't help it, and because he never did anything worth doing, and because She would.

And Death hated being laughed at, and used to brood apart thinking only of his wrongs and of what he could do to end this intolerable treatment.

But one day Death appeared in the courts with an air and They all noticed it. "What are you up to now?" said Love. And Death with some solemnity said to Her: "I am going to frighten Odysseus"; and drawing about him his grey traveller's cloak went out through the windy door with his jowl turned earthwards.

And he came soon to Ithaca and the hall that Athene knew, and opened the door and saw there famous Odysseus, with his white locks bending close over the fire, trying to warm his hands.

And the wind through the open door blew bitterly on Odysseus.

And Death came up behind him, and suddenly shouted.

And Odysseus went on warming his pale hands.

Then Death came close and began to mouth at him. And after a while Odysseus turned and spoke. And "Well, old servant," he said, "have your masters been kind to you since I made you work for me round Ilion?"

And Death for some while stood mute, for the thought of the laughter of Love.

Then "Come now," said Odysseus, "lend me your shoulder," and he leaning heavily on that bony joint, they went together through the open door.


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Edward John Moreton Drax Plunkett, 18th Baron of Dunsany (24 July 1878 – 25 October 1957) was an Anglo-Irish writer and dramatist, notable for his work, mostly in fantasy, published under the name Lord Dunsany. More than eighty books of his work were published, and his oeuvre includes many hundreds of published short stories, as well as successful plays, novels and essays.

Wind And Fog
By Lord Dunsany


"Way for us," said the North Wind as he came down the sea on an errand of old Winter.

And he saw before him the grey silent fog that lay along the tides.

"Way for us," said the North Wind, "O ineffectual fog, for I am Winter's leader in his age-old war with the ships. I overwhelm them suddenly in my strength, or drive upon them the huge seafaring bergs. I cross an ocean while you move a mile. There is mourning in inland places when I have met the ships. I drive them upon the rocks and feed the sea. Wherever I appear they bow to our lord the Winter."

And to his arrogant boasting nothing said the fog. Only he rose up slowly and trailed away from the sea and, crawling up long valleys, took refuge among the hills; and night came down and everything was still, and the fog began to mumble in the stillness. And I hear him telling infamously to himself the tale of his horrible spoils. "A hundred and fifteen galleons of old Spain, a certain argosy that went from Tyre, eight fisher-fleets and ninety ships of the line, twelve warships under sail, with their carronades, three hundred and eighty-seven river-craft, forty-two merchantmen that carried spice, thirty yachts, twenty-one battleships of the modern time, nine thousand admirals…." he mumbled and chuckled on, till I suddenly rose and fled from his fearful contamination.


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Edward John Moreton Drax Plunkett, 18th Baron of Dunsany (24 July 1878 – 25 October 1957) was an Anglo-Irish writer and dramatist, notable for his work, mostly in fantasy, published under the name Lord Dunsany. More than eighty books of his work were published, and his oeuvre includes many hundreds of published short stories, as well as successful plays, novels and essays.

East And West
By Lord Dunsany


It was dead of night and midwinter. A frightful wind was bringing sleet from the East. The long sere grasses were wailing. Two specks of light appeared on the desolate plain; a man in a hansom cab was driving alone in North China.

Alone with the driver and the dejected horse. The driver wore a good waterproof cape, and of course an oiled silk hat, but the man in the cab wore nothing but evening dress. He did not have the glass door down because the horse fell so frequently, the sleet had put his cigar out and it was too cold to sleep; the two lamps flared in the wind. By the uncertain light of a candle lamp that flickered inside the cab, a Manchu shepherd that saw the vehicle pass, where he watched his sheep on the plain in fear of the wolves, for the first time saw evening dress. And though he saw if dimly, and what he saw was wet, it was like a backward glance of a thousand years, for as his civilization is so much older than ours they have presumably passed through all that kind of thing.

He watched it stoically, not wondering at a new thing, if indeed it be new to China, meditated on it awhile in a manner strange to us, and when he had added to his philosophy what little could be derived from the sight of this hansom cab, returned to his contemplation of that night's chances of wolves and to such occasional thoughts as he drew at times for his comfort out of the legends of China, that have been preserved for such uses. And on such a night their comfort was greatly needed. He thought of the legend of a dragon-lady, more fair than the flowers are, without an equal amongst daughters of men, humanly lovely to look on although her sire was a dragon, yet one who traced his descent from gods of the elder days, and so it was that she went in all her ways divine, like the earliest ones of her race, who were holier than the emperor.

She had come down one day out of her little land, a grassy valley hidden amongst the mountains; by the way of the mountain passes she came down, and the rocks of the rugged pass rang like little bells about her, as her bare feet went by, like silver bells to please her; and the sound was like the sound of the dromedaries of a prince when they come home at evening—their silver bells are ringing and the village-folk are glad. She had come down to pick the enchanted poppy that grew, and grows to this day—if only men might find it—in a field at the feet of the mountains; if one should pick it happiness would come to all yellow men, victory without fighting, good wages, and ceaseless ease. She came down all fair from the mountains; and as the legend pleasantly passed through his mind in the bitterest hour of the night, which comes before dawn, two lights appeared and another hansom went by.

The man in the second cab was dressed the same as the first, he was wetter than the first, for the sleet had fallen all night, but evening dress is evening dress all the world over. The driver wore the same oiled hat, the same waterproof cape as the other. And when the cab had passed the darkness swirled back where the two small lamps had been, and the slush poured into the wheel-tracks and nothing remained but the speculations of the shepherd to tell that a hansom cab had been in that part of China; presently even these ceased, and he was back with the early legends again in contemplation of serener things.

And the storm and the cold and the darkness made one last effort, and shook the bones of that shepherd, and rattled the teeth in the head that mused on the flowery fables, and suddenly it was morning. You saw the outlines of the sheep all of a sudden, the shepherd counted them, no wolf had come, you could see them all quite clearly. And in the pale light of the earliest morning the third hansom appeared, with its lamps still burning, looking ridiculous in the daylight. They came out of the East with the sleet and were all going due westwards, and the occupant of the third cab also wore evening dress.

Calmly that Manchu shepherd, without curiosity, still less with wonder, but as one who would see whatever life has to show him, stood for four hours to see if another would come. The sleet and the East wind continued. And at the end of four hours another came. The driver was urging it on as fast as he could, as though he were making the most of the daylight, his cabby's cape was flapping wildly about him; inside the cab a man in evening dress was being jolted up and down by the unevenness of the plain.

This was of course that famous race from Pittsburg to Piccadilly, going round by the long way, that started one night after dinner from Mr. Flagdrop's house, and was won by Mr. Kagg, driving the Honourable Alfred Fortescue, whose father it will be remembered was Hagar Dermstein, and became (by Letters Patent) Sir Edgar Fortescue, and finally Lord St. George.

The Manchu shepherd stood there till evening, and when he saw that no more cabs would come, turned homeward in search of food.

And the rice prepared for him was hot and good, all the more after the bitter coldness of that sleet. And when he had consumed it her perused his experience, turning over again in his mind each detail of the cabs he had seen; and from that his thoughts slipped calmly to the glorious history of China, going back to the indecorous times before calmness came, and beyond those times to the happy days of the earth when the gods and dragons were here and China was young; and lighting his opium pipe and casting his thoughts easily forward he looked to the time when the dragons shall come again.

And for a long while then his mind reposed itself in such a dignified calm that no thought stirred there at all, from which when he was aroused he cast off his lethargy as a man emerges from the baths, refreshed, cleansed and contented, and put away from his musings the things he had seen on the plain as being evil and of the nature of dreams, or futile illusion, the results of activity which troubleth calm. And then he turned his mind toward the shape of God, the One, the Ineffable, who sits by the lotus lily, whose shape is the shape of peace, and denieth activity, and went out his thanks to him that he had cast all bad customs westward out of China as a woman throws household dirt out of her basket far out into neighbouring gardens.

From thankfulness he turned to calm again, and out of calm to sleep.


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Edward John Moreton Drax Plunkett, 18th Baron of Dunsany (24 July 1878 – 25 October 1957) was an Anglo-Irish writer and dramatist, notable for his work, mostly in fantasy, published under the name Lord Dunsany. More than eighty books of his work were published, and his oeuvre includes many hundreds of published short stories, as well as successful plays, novels and essays.